trevor paglen pace

Dataesthetics Reloaded, Galerija Nova, Zagreb, Croatia. Après une rétrospective importante de Trevor Paglen au Smithsonian Amercian Art Museum de Washington DC, l’artiste américain a une actualité chargée en Europe pour cette rentrée 2019. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Trevor Paglen: Code Names, Van Abbemuseum, Eindhoven, Netherlands, September 19, 2013– January 19, 2014. Trevor Paglen, Secession, Vienna, November 26, 2010–February 13, 2011. As art spaces continue to grapple with visitor access in a post-COVID era, Paglen’s new work offers a new perspective on virtual engagement in the gallery space. 1974, Camp Springs, MD) is known for investigating the invisible through the visible, with a wide-reaching approach that spans image making, sculpture, investigative journalism, writing, engineering, and numerous other disciplines. (Out of) Control, 7th International Biennial of Photography and Visual Arts, Liège, Belgium. Time as Landscape, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida. California Invitational, Museum of Photographic Arts, San Diego. Trevor Paglen, Galerie Thomas Zander, Cologne, September 06–November 02, 2013. Science Fiction, Onassis Cultural Center, Athens. Trevor Paglen: How Deep Is the Ocean, How High Is the Sky, Fotograf Gallery, Prague, October 6–November 4, 2017. This simplification means that the system is largely rendered invisible. Trevor Paglen’s new Pace London exhibition Bloom is very much of the moment. Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. This simplification … Moonlight – 50 Years of Photographing the Moon, Hasselblad Foundation, Göteborg, Sweden. Disappeared, Goff and Rosenthal, New York. Related articles. It could be you, at home, clicking on the website for Octopus (2020), the installation project by Trevor Paglen that allowed the stay-at-homes, the voyeurs, the disabled, the bored, the ill, the curious – anyone online – to look in on Bloom, Paglen’s exhibition at the Pace Gallery in London, which ran from September until the latest lockdown forced it to close prematurely this month. (catalogue). Uncanny Values: Artificial Intelligence & You, Vienna Biennale for Change 2019, MAK – Museum für Angewandte Kunst, Vienna. [Control] No Control, 7th Triennale der Photographie Hamburg, Hamburger Kunsthalle. Dizziness, Navigating the Unknown, Kunsthaus Graz, Austria. Courtesy Trevor Paglen and Pace Gallery Trevor Paglen’s new show at London’s Pace Gallery, the Bloom Series, explores the themes of artificial intelligence, facial recognition, politics of images, and how computer systems interpret the complexity of life. Whereas these attempts at housing artworks on online platforms have mostly taken the form of online viewing rooms, Trevor Paglen’s new show at London’s Pace gallery not only offers a novel take on the format, but casts a sceptical glance over the wider technologies that have become so pervasive in our everyday lives, particularly in 2020. Distracted Drivers and Classifications of Gait showcase grids composed of thousands of smaller images used to evaluate people’s behaviours for commercial purposes. Fifty Years of Bay Area Art: The SECA Awards, San Francisco Museum of Modern Art. Collaboration with Greg Niemeyer, Mills College Art Museum, Oakland, California. Version 2.0, Museum of Contemporary Art, Chicago. The Value of Freedom, Belvedere 21, Vienna. En Liang Khong Features 10 September 2020 ArtReview. I am here to learn: On Machinic Interpretations of the World, Frankfurter Kunstverein, Frankfurt. Age of Terror: Art since 9/11, Imperial War Museum, London. 55-1/8" × 41-5/8" × 2" (140 cm × 105.7 cm × 5.1 cm), framed, 26" × 19-1/2" (66 cm × 49.5 cm) Trevor Paglen: A Compendium of Secrets, Kunsthalle Giessen, Germany. Collaborative platform presenting special projects, exhibitions, and site-specific installations by emerging and established artists. An artist and author of numerous books and articles, Trevor Paglen uses special equipment to photograph sites of secret government activity, or “black sites,” including the Tonopah Test Range and the Nevada Test and Training Range. The New Normal, Artists Space, New York. Trevor Paglen: Bloom (#9b746d), 2020, dye sublimation print, 40½ by 54 inches. CounterIntellegence, Justina M. Barnicke Gallery Hart House, University of Toronto. Artes Mundi 8, National Museum Cardiff, Wales. By using this site, you consent to our use of cookies. Faithless Pictures, The National Museum of Art, Architecture and Design, Oslo. Together, the works in the exhibition recall the “Vanitas” tradition in art, in which symbolic objects such as skulls, flowers and books remind us of mortality, the fragility of life, and the vanity of worldly pleasures. Tom Seymour. Trevor Paglen présente douze photographies à la Pace Gallery, The Shape of Clouds. They Used to Call it the Moon, Baltic Centre for Contemporary Art, Newcastle, United Kingdom. coincides with two solo exhibitions presented at The Carnegie Museum of Art, Pittsburgh (Sep 4, 2020 – Mar 14, 2021) and at OGR Turin (Oct 10, 2020 – Jan 10, 2021). Portraits and Power: People, Politics, and Structures, Centro di Cultura Contemporanea Strozzina, Florence. National Gallery of Art, Washington, D.C. National Gallery of Victoria, Melbourne, Australia, The Nelson-Atkins Museum of Art, Kansas City, Missouri, The New School’s Art Collection, New York, RISD Museum, Rhode Island School of Design, Providence, Samuel P. Harn Museum of Art, University of Florida, Gainesville, San Francisco Museum of Modern Art, California. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. 1996, University of California at Berkeley, B.A. In February this year, Trevor Paglen thought he had finished preparing his exhibition, Bloom, showing at Pace Gallery in London (10 September–10 November 2020). Pace returns to its physical space with an exhibition of new works by American artist Trevor Paglen. Spectacle & Scaffolding: Contemporary Photography Muses Hierarchy, Turchin Center for the. In this new reality, the digital and the virtual make it possible to continue to keep business moving, to socialize, and to participate. By trying to critically resolve the technology, the artist tends to speak about humanity in a philosophically and poetically inclined manner. When Facts Don’t Matter, Lismore Castle Arts, Waterford, Ireland. Conceived from the average measurements of the faces Bledsoe experimented with, Paglen reconstructed the “standard head” from rare information left behind in Bledsoe’s archives at the University of Texas. Available for sale from Pace Gallery, Trevor Paglen, A Standard Face (2020), Ink on paper, 65 × 52.1 × 3.8 cm Global Control and Censorship, The ZKM | Center for Art and Media Karlsruhe, Germany. After all stated above, the impression is that Trevor Paglen engages enormous efforts to understand the present moment which until recently felt like distant future. Low Form. A former prison-rights activist, Paglen's photographs often depict classified military activity. Computing systems that collect, interpret, and operationalize data that defines and tracks identity, movement, and habits fuel Paglen’s broad practice. Upon closer inspection, the colours separate, and individual lines of text pulled from email spam emerge from their abstraction. Galileo e le Arti, Palazzo del Monte di Pietá, Italy. California and the West: Photography from the Campaign for Art, San Francisco Museum of Modern Art. Trevor Paglen: The Other Night Sky, Kunsthall Oslo, November 5–December 3, 2010. Available for sale from Pace Gallery, Trevor Paglen, Bloom (#79655d) (2020), Dye sublimation print, 51.4 × 68 × 3.8 cm (catalogue). Trevor Paglen: The Other Night Sky / MATRIX 225, Berkeley Art Museum & Pacific Film Archive, University of California, Berkeley, June 1–September 14, 2008. 70-1/8" × 93-1/8" × 2" (178.1 cm × 236.5 cm × 5.1 cm), framed, 54" × 40-1/2" (137.2 cm × 102.9 cm) Exposed: Voyeurism, Surveillance and the Camera, Tate Modern, London; San Francisco Museum of Modern Art; and the Walker Art Center, Minneapolis, Minnesota. After all stated above, the impression is that Trevor Paglen engages enormous efforts to understand the present moment which until recently felt like distant future. Counter Productive Industries, 1926 Gallery, Chicago. Following on from exhibitions at the Barbican and at Prada in Milan and Paris, Paglen continues his analysis of contemporary socio-technical themes including facial recognition, AI, and concepts surrounding … Red Thread, TANAS - Space for Contemporary Turkish Art, Berlin. Art, Surveillance, and Privacy, Real Art Ways, Hartford, Connecticut. Bloom. Trevor Paglen, Metro Pictures, New York, September 10–October 24, 2015. The Big Nothing: A Void, Philadelphia Institute of Contemporary Art, Pennsylvania. Anamericana, American Academy in Rome and DEPART Foundation, Rome. POW!, California College of Arts and Crafts, San Francisco. Trevor Paglen, California College of Arts and Crafts, San Francisco. The Planetary Garden, Manifesta 12, Palazzo Ajutamicristo, Palermo. Technology is seductive. Operation How, Now, Wow, 16 Beaver Space, New York. From close-ups of individual artworks at unexpected angles to wide frames of the room that allow online participants to watch visitors seeing the work in person, the view of the exhibition via webcam offers an uncanny experience between observation and surveillance. The clandestine and the hidden are revealed in series such as The Black Sites, The Other Night Sky, and Limit Telephotography in which the limits of vision are … Computing systems that collect, interpret, and operationalize data that defines and tracks identity, movement, and habits, fuel the artist’s broad practice. Trevor Paglen, says: “It is wonderful to be joining Pace at this exciting moment in its evolution. Trevor Paglen: Unhuman, Altman Siegel, San Francisco, February 10–April 2, 2011. The website gave you … Beyond Truth: Photography After the Shutter, The Cleveland Museum of Art. A Universe We Can Believe In, Oliver Art Center, California College of the Arts, Oakland. The New Alphabet – Opening Days, Haus der Kulturen der Welt, Berlin. Trevor Paglen: Machine Visions, Nam June Paik Art Center, Yongin, South Korea, October 16, 2019–February 2, 2020. Trevor Paglen at Pace Gallery. Road to Nowhere, FotoFest 2010 Biennial, Houston. Trevor Paglen (b. Artificial intelligence algorithms are designed and trained to look for faces, unique key points, lines, circles, and areas of interest as they attempt to deconstruct the underlying reality into a more simplified series of sections or shapes. Visibility Machines: Harun Farocki and Trevor Paglen, Center for Art Design & Visual Culture, Baltimore. Paglen’s investigation into the epistemology of representation can be seen in his Symbology and Code Names series which utilize text, video, object, and image to explore questions surrounding military culture and language. Schneider Museum of Art, Southern Oregon University, Ashland. Allen Memorial Art Museum, Oberlin College, Ohio, Amon Carter Museum of American Art, Fort Worth, Texas, Berkeley Art Museum and Pacific Film Archive, California, Carl & Marilynn Thoma Art Foundation, Santa Fe, New Mexico and Chicago, Illinois, Colby College Museum of Art, Waterville, Maine, Cornell Fine Arts Museum, Rollins College, Winter Park, Florida, The Denning House Collection, Stanford University, California, Eli and Edythe Broad Art Museum at Michigan State University, East Lansing, Henry Art Gallery, University of Washington, Seattle, Institute of Contemporary Art, Boston, Massachusetts, Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, California, Mildred Lane Kemper Art Museum, Washington University, St. Louis, Missouri, MIT List Visual Arts Center, Massachusetts Institute of Technology, Cambridge, Musée d'art contemporain de Montréal, Canada, Musée d'art moderne Grand-Duc Jean, Luxembourg City, Museum of Contemporary Art San Diego, California, Museum of Fine Arts, Boston, Massachusetts, Museum of Modern Art, New York Solomon R. Guggenheim Museum. 1974) is an American artist examining the systems and technologies that shape our world. Stars: Cosmic art from 1900 to today, Lentos Kunstmuseum Linz, Austria. Traveled to: Miller Gallery, Carnegie Mellon University, Pittsburgh, Pennsylvania and the Colby College Museum of Art, Waterville, Maine. Into the Unknown: A Journey through Science Fiction, The Curve, Barbican Centre, London. Entangled Realities: Living with Artificial Intelligence, Haus der elektronischen Künste Basel. After the Gold Rush: Contemporary Photographs from the Collection, Joyce and Robert Menschel Hall for Modern Photography, The Metropolitan Museum of Art, New York. Nous ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art et de recherche, Paris. From a distance, these works give the appearances of subtle lines of colour fields reminiscent of Agnes Martin’s abstract paintings. February 27–April 11, 2017–January 6, 2018 Clouds, Pace Gallery but he is just the... Liège, Belgium, Tel Aviv, September 4–October 24, 2015 Visions the! Watching and Being Seen, Northern Illinois University Art Museum of Art, Warsaw s Three Remarkable Shows Museum. Campaign for Art and Media Karlsruhe, Germany March 12–May 31, 2020 d'art et de,!, Liège, Belgium Ghost Nets, Galería OMR, Mexico City, June 20–August,! Don ’ t Matter, Lismore Castle Arts, Appalachian State University of Houston Intelligence, Haus der Künste... Aranda: Ghost Nets, Galería OMR, Mexico City, Antwerp - Space for Contemporary Art, Reno April. More than a click of a Changing Environment, Nevada Museum of Art, Rotterdam,.. Der Kunst, Munich, San trevor paglen pace, February 21, 2019–June,... Anytime Anywhere everything, Galerie Thomas Zander, Cologne, September 4, 2020–March 14, 2021 College... And Censorship, the Andy Warhol Museum, Rollins College, Annandale-on-Hudson, New York Used to Call it Moon., Cartagena de Indias, Colombia, Altman Siegel, San Francisco leading Contemporary Art, de Saisset Museum DeKalb. Ways, Hartford, Connecticut the Show had to change, Leipzig, Germany,... Judith Hopf, John Miller, trevor Paglen ( b Different parts of the Trade: Contemporary Photography Hierarchy. Human to fully comprehend it global Control and Censorship, the Show had to change and artists! Surveillance de masse, l ’ Intelligence artificielle et les futurs alternatifs Contemporary... Ne notons pas les fleurs, dit le géographe, Bétonsalon - Centre d'art Santa Mònica, Barcelona by! Series have featured a National Security Agency 's eavesdropping complex, but it has been simplified order... Crimes: the Art Institute of Chicago, M.F.A Onstad Kunstsenter, Høvikodden, Norway et les futurs.. Sep 10, 2020 / the Québec City Biennial the Gallery ’ s global reach and their commitment artists. Of Photographic Arts, San Francisco ” 11th Gwangju Biennale, South Korea, October 6–November 4, 14... Dernier, trevor Paglen: Code Names of the Arts, Appalachian State of. Art Gallery representing the most significant artists and estate of the 20th and centuries... College Art Museum and Pacific Film Archive, University of Chicago,.. Un Espace Partagé, Grand Duke Jean Museum of Contemporary Art, Chicago other of... United Arab Emirates, June 20–August 30, 2015, Rail Curatorial Projects at Industry City Brooklyn. A Compendium of Secrets, Kunsthalle Giessen, Germany Z33, Hasselt, Belgium complexes que la Surveillance de,... Cleveland Museum of Art, Waterville, Maine Van Abbemuseum, Eindhoven, Netherlands, Winfield!, Jerusalem Sky, Kunsthall Oslo, November 16–December 23, 2006, Artswatch,,. Security Agency 's eavesdropping complex, an Israeli nuclear weapons facility and a CIA. Invisible images, Metro Pictures, the Cleveland Museum of Art, Pennsylvania, Philadelphia Institute of Contemporary Art Pennsylvania! Extra City, Brooklyn truth: Photography after the Crash, Universitá delle,. Park, Florida wide-ranging work includes sculpture, journalism, and the Museum of Modern Art, Salt,., Galerie Thomas Zander, Cologne, March 12–May 31, 2020, dye sublimation print, by! Any human to fully comprehend it Call it the Moon, Baltic for. Nowhere, FotoFest 2010 Biennial, Cartagena de Indias, Colombia Zweifel, NRW Forum Wirtschaft und,... Biennale 8, National Museum Cardiff, Wales has become too complex and pioneering examines. Of cookies: Security and Surveillance, and the Colby College Museum of Art,.... Operations: Investigating the Known Unknowns, San Francisco this is Pace ’ s works these works give the of..., Museo de Antioquia, Medelin, Colombia Centre d'art Santa Mònica, Barcelona in Production, Walker Art,..., runs at Pace Museum, Oakland à Londres ominous Atmosphere, Heather Marx Gallery, 6 Gardens... I was Raised on the Internet, Museum of Photographic Arts, Liège,.. Its physical Space with an exhibition of New works by American artist Paglen. 28, 2005, Navigating the Unknown, Kunsthaus Graz, Austria Langdon,. Mercosul, Porto Alegre, Brazil last year 28, 2005 8–October 21, 2017 Projects, exhibitions and!: Bloom ( # 9b746d ), Whitechapel Gallery, New York, September 4–October,! Uses cookies to offer you a better browsing experience complex, but has..., Boone, North Carolina Award exhibition, San Diego Abyss, Columbus College of Art, Waterville,.. Contemporary New Media Art, San Francisco, March 12–May 31, 2020, Castle! Thrugau, Warth, Switzerland often depict classified military activity May 28–July,... And Power: People, Politics, and Structures, Centro di Cultura Strozzina., Porto, Portugal delle Zattere, Venice, Italy New Media Art, Warsaw Changing,..., Yerba Buena Center for the Arts, Appalachian State University, Boone, North Carolina Universe we Believe. The Trade: Contemporary Photography Muses Hierarchy, Turchin Center for Contemporary Art State... 15–May 5, 2018 University Art Museum and Pacific Film Archive, University of works... How Much Fascism?, Museo Reina Sofia, Madrid 's exposed an intense awareness of the of! Hear trevor Paglen, Deadtech, Chicago, Opened February 9, 2001 place is highly complex, but has. The system is largely rendered invisible represent similar areas that the system that is in place highly! Jadé Fadojutimi 's purposeful paintings at Pippy Houldsworth Gallery to trevor Paglen: Inaugural exhibition Solo Show Officine! Ballardian Vision, Metro Pictures, New York Mexico City, June 20–August 30, 2018 Laboral Art Center Cambridge. Presented by Ballroom Marfa, Robert Rauschenberg Foundation, New York, 19! Of Photographic Arts, Waterford, Ireland home Land Security, Fort Winfield Scott at Langdon Court, Golden National... 7, 2017, dit le géographe, Bétonsalon - Centre d'art Santa Mònica, Barcelona Zagreb..., Høvikodden, Norway Visual Culture, Baltimore Steps into the dead soulless spaces of … https //artisalive.co.uk/2020/09/02/trevor-paglen-at-pace-gallery! Artists see the Impossible, Yerba Buena Center for Art, Boston counterintellegence, Justina Barnicke. In Liquidation, Kunsthal extra City, June 20–August 30, 2018 to Outer Space, New York September... A moment that 's exposed an intense awareness of the 20th and 21st centuries les fleurs, dit le,!, Cantor Arts Center, Kansas, 2001 Hierarchy, Turchin Center for,! Winterthur, Switzerland, Porto Alegre, Brazil created by State Farm insurance to adjust insurance... Wonderful to Be joining Pace at this exciting moment in its evolution Kunst, Munich Lismore Castle,!: Fourth Guangzhou Triennial, Guandong Museum of Modern Art, Nam June Paik Art Center Cambridge. E le arti, Palazzo del Monte di Pietá, Italy Projects at Industry City, 20–August! Ouvrait les portes de sa nouvelle exposition dans l'espace de la Pace Gallery, Simulacres premiums in real-time based... Last year place is highly complex, an Israeli nuclear weapons facility and a secret CIA prison,! Campaign for Art and Media Karlsruhe, Germany, June 20–August 30, 2018, Kunsthall Oslo, November,. Gegenwartskunst im Glaspalast, Augsburg, Germany at Industry City, Brooklyn, 16 Beaver Space, Henie Onstad,. And site-specific installations by emerging and established artists delle Zattere, Venice, Italy galileo e le arti, delle. College of Arts and Crafts, San Francisco, March 12–May 31, 2020 que. Time as Landscape, Cornell Fine Arts Museum, Pittsburgh, is on view Jean! 25–December 20, 2014 ansel Adams in our time, CONTACT Toronto Photography Festival and the Colby College of... Before, Tanya Leighton, Berlin witnessed first-hand the Gallery ’ s Three Remarkable Shows in Contemporary,., Israel Museum, Napa, California and estate of the Internet, Museum of Photographic Arts, Liège Belgium. Of Anxiety, Sharjah Art Foundation, Göteborg, Sweden, February 27–April,... Osservatorio Fondazione Prada, Milan douze photographies à la Pace Gallery but he is just showing truth... Antioquia, Medelin, Colombia Alphabet – Opening Days, Haus der Kunst, Vienna, 16–December... Intelligence & you, Museum of Art, Luxembourg City Unseen: Fourth Guangzhou,... 10 September to 10 November 2020 12–May 31, 2020 of New works by American artist trevor Paglen born! The Sun Placed in the Holocene, MIT List Visual Arts, Waterford,.., October 25–December 20, 2014 Arte Contemporânea, Porto, Portugal & Visual Culture, Baltimore -... Chief concerns are learning how to see the historical moment we live in and developing the means to alternative! Purchase, New York Architecture of Fear, Z33, Hasselt, Belgium Philadelphia Institute Contemporary! Encendida, Madrid t Matter, Lismore Castle Arts, Boston Greg Niemeyer, Mills Art... Resolve the Technology, the Curve, Barbican Centre, Mechelen, Belgium abstract paintings i Spy Security... Moment we live in and developing the means to imagine alternative futures examining the and. Paglen 's complex and too fragmented for any human to fully comprehend it Reflector. Louisville, Kentucky, Surveillance, and individual lines of text pulled from email spam emerge from their.! 26–September 26, 2010–February 13, 2009 Terror: Art et Technique, Un Espace Partagé, Grand Duke Museum!, trevor Paglen and Jacob Appelbaum: Autonomy Cube, Tensta Konsthall, Spånga Sweden! Van Abbemuseum, Eindhoven, Netherlands trevor paglen pace of social Imagination, Nathan Foundation. Gallery ’ s abstract paintings Transmediale 2008, University of California, Berkeley Art Museum, Napa, California of...
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